This has been an early year for all things spring and
summer, and my
purple martin colony has been no exception. The birds showed up this year a
couple of weeks before last year, and the first eggs were laid about ten days
or so before last year. What’s surprised me most was that my first hatchlings
came today, one nest a day before they were scheduled and a second six days
before scheduled, and both a full two weeks before the first
hatchlings last year. I wondered whether this year or last year was the
unusual one, but looking back at earlier records, I see that the end of May
(today) is a more typical first laying day, not a first hatching day. I assume
that this is because of the unusually mild winter and early and warm spring.
But was there an early start to the fall in South America where the birds spend
the (our) winter that triggered an early return? Or did they somehow know that
we were having a mild winter and early spring? And if so, how? But then how
does this whole migration thing over thousands of miles from one specific
location in Brazil to another in Iowa City year after year happen so regularly
and precisely? I suppose there are answers that I could find if I wanted to.
But I prefer the surprise and magic of opening the gourds and finding the first
white eggs, and then later the first pink chicks, their yellow-rimmed beaks, as
large as their tiny bodies, spread wide and begging as if I had something to
offer other than just recording their hatching. Their parents perch on a wire
nearby, watching as I make my count, unconcerned. They recognize me, trust me,
some themselves being counted last year.
I've recently entered the afterlife of retirement and want to use this blog to record my observations, reflections, reactions, musings, and whatever else might strike my fancy, personal, cultural, political -- nothing, dear reader, you should be interested in or waste your time with. Que scais-je?
Thursday, May 31, 2012
Wednesday, May 30, 2012
Prague 1972
I first visited Prague in the summer of 1972, four years
after the Prague Spring,
23 years old, horribly naïve, adventurous but ignorant, with a passport, visa,
and about $100 in cash. At the border (the Iron Curtain), we
exchanged our German electric engine for a Soviet steam engine, and I was
required to exchange the equivalent of $10 for Czech crowns for each of my four
days, and required to spend that $40 before exiting the country (how could that
be a problem?).
My trip to Prague was something of a pilgrimage. My collection of Franz Kafka books had won me a $200 prize in a University of Kansas Library contest that spring (the $200 covered my airfare), and I thought it appropriate to use the prize to go to Prague and supplement my collection with publications not available in the U.S. It took me three bookstores before I figured out – no one would directly tell me – that Kafka was, of course, banned in Prague then, none of his books, little of his presence, existing. There was a plaque at a small house he lived in briefly up by the castle that was pointed out to me by a tour guide. And after an appropriately Kafkaesque search, I was able to find his grave in the New Jewish Cemetery, which coincidentally happened to be near my hotel.
The highlight (or lowlight, depending) of the trip was my meeting three college students who approached me as I was standing by the river. I was obviously from the west – wearing jeans – and they wanted to know me. They spoke an English gleaned from western rock-and-roll records. I was an oddity to them, an appealing alien, and after we talked for a while about I don’t know what they invited me to an underground club – literally and figuratively – up by the university that night where a rock group was playing. I ended up being something of an attraction. I sat at a table with my three friends and our group grew as the only American in the club was accosted with free drinks, beer and vodka and Scotch – anything that anyone who was buying me drinks bought me. And I was a rock star. I don’t know if I had talked about it that afternoon or it had come up at the club, but at some point I had mentioned that I played rock-and-roll guitar. Unfortunately, by the time I was pushed onto the stage with the band and had a guitar strapped around my neck – an American rock star – I was far beyond drunk. I recall only standing on the stage in the lights with a guitar. I might have been able to play a chord or two, but I don’t think so. I do recall returning to the table, and after a few moments heaving all the drinks I’d consumed under the table and onto my pants and shoes. I was able to return to my hotel by handing the trolley driver a card I’d fortunately written out with the hotel name and address so that he could direct me to the transfers needed. (I have only a very vague memory of this.) The next morning, I undressed and rinsed out my jeans and wiped off my shoes.
In the train compartment with me was an elderly woman (and
by “elderly,” probably in her 40s or maybe 50 from my 20-something eyes) who
had been visiting relatives in West Germany. We struck up as much of a
conversation as we could in my flailing German. When she learned that I didn’t
have a hotel reservation and that I planned to just walk out of the train
station and hope to stumble into a hotel (there was no phoning into the Soviet
Union and certainly no Internet), she said that her son was meeting her and
that they could help find me a room. Her son was driving a Volkswagen Beetle,
which I found comfortably familiar. They drove me to three or four hotels, but
they were all booked. Finally, they took me to a modern ‘50s Soviet gray
dorm/hotel in the east side of the city that they said would have rooms but
would be more expensive. And I was able to get a room, and it was more expensive
than the others – about $4 a night. It was as basic a room as could be: a
single bed, wardrobe, straight-back chair, a sink. The bathroom and shower were
down the hall, shared by all on the floor. By the elevator was a
black-and-white TV, with sofa and a few chairs around it, and each night there
would be a group of excited patrons watching the European
Cup.
My trip to Prague was something of a pilgrimage. My collection of Franz Kafka books had won me a $200 prize in a University of Kansas Library contest that spring (the $200 covered my airfare), and I thought it appropriate to use the prize to go to Prague and supplement my collection with publications not available in the U.S. It took me three bookstores before I figured out – no one would directly tell me – that Kafka was, of course, banned in Prague then, none of his books, little of his presence, existing. There was a plaque at a small house he lived in briefly up by the castle that was pointed out to me by a tour guide. And after an appropriately Kafkaesque search, I was able to find his grave in the New Jewish Cemetery, which coincidentally happened to be near my hotel.
One afternoon I stopped into a restaurant for lunch (the
main meal of the day). There was no menu. Everyone had the same thing: soup,
some roasted meat, potatoes, and a vegetable (probably cabbage, I don’t know).
The bill was about $1.20. There was no tipping.
I regularly saw Russian soldiers, AK47s slung over their
shoulders, especially up by the
castle and Wenceslas
Square.
Prague is a city of architecture. It was used as the set for
the 1972 (ironically the year I was in Prague) Slaughterhouse
Five to represent the fire-bombed city of Dresden at the end of World War
II. Prague was the only major city in Europe to be spared from bombing from
either German or Allied forces. It remains today – with notable additions since
the War – a walking architectural museum. And it remains, for the most part,
free.
One night I happened into a basement jazz club (I have no
idea how I found it) where there was a black American pianist. I learned that
since the ‘20s, American jazz has been much more popular – and much more
profitable to American jazz artists – in Europe, including the Soviet Union,
than in the U.S. I also was surprised to find the club served Johnny Walker
Red, my drink at the time. It was about 50¢ a shot.
The highlight (or lowlight, depending) of the trip was my meeting three college students who approached me as I was standing by the river. I was obviously from the west – wearing jeans – and they wanted to know me. They spoke an English gleaned from western rock-and-roll records. I was an oddity to them, an appealing alien, and after we talked for a while about I don’t know what they invited me to an underground club – literally and figuratively – up by the university that night where a rock group was playing. I ended up being something of an attraction. I sat at a table with my three friends and our group grew as the only American in the club was accosted with free drinks, beer and vodka and Scotch – anything that anyone who was buying me drinks bought me. And I was a rock star. I don’t know if I had talked about it that afternoon or it had come up at the club, but at some point I had mentioned that I played rock-and-roll guitar. Unfortunately, by the time I was pushed onto the stage with the band and had a guitar strapped around my neck – an American rock star – I was far beyond drunk. I recall only standing on the stage in the lights with a guitar. I might have been able to play a chord or two, but I don’t think so. I do recall returning to the table, and after a few moments heaving all the drinks I’d consumed under the table and onto my pants and shoes. I was able to return to my hotel by handing the trolley driver a card I’d fortunately written out with the hotel name and address so that he could direct me to the transfers needed. (I have only a very vague memory of this.) The next morning, I undressed and rinsed out my jeans and wiped off my shoes.
In my four days and nights in Prague, I was barely able to
make my $40 spending minimum.
Sunday, May 27, 2012
American Hubris
I
met a traveller from an antique land
Who said: `Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear --
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.'
Who said: `Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear --
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.'
“Ozymandias,” Percy Bysshe Shelley
After browsing among the stately
ruins of Rome, of Baiæ, of Pompeii, and after glancing down the long marble
ranks of battered and nameless imperial heads that stretch down the corridors
of the Vatican, one thing strikes me with a force it never had before: the
unsubstantial, unlasting character of fame. Men lived long lives, in the olden
time, and struggled feverishly through them, toiling like slaves, in oratory,
in generalship, or in literature, and then laid them down and died, happy in
the possession of an enduring history and a deathless name. Well, twenty little
centuries flutter away, and what is left of these things? A crazy inscription
on a block of stone, which snuffy antiquaries bother over and tangle up and
make nothing out of but a bare name (which they spell wrong) -- no history, no
tradition, no poetry -- nothing that can give it even a passing interest.
“The
Buried City of Pompeii,” Mark Twain
Once again we’re in a presidential election, and once again
we’re hearing chest-thumping boasts of “American
Exceptionalism,” the idea that we Americans are somehow the savior of
western civilization, if not the human species. Jefferson spouted it: “we
should have such an empire for liberty
as she has never surveyed since the creation: & I am persuaded no
constitution was ever before so well calculated as ours for extensive empire
& self government.” Lincoln professed it: “We
shall nobly save, or meanly lose, the last best hope of earth. Other means may
succeed; this could not fail. The way is plain, peaceful, generous, just -- a
way which, if followed, the world will forever applaud, and God must forever
bless.” And everyone from the Puritan John Winthrop (“a city upon a hill”), to
President-elect John F. Kennedy (“a city upon a hill”) to the failed Democratic
presidential candidate Walter Mondale (“the city on a hill”) to Ronald Reagan (“a shining city upon a hill whose beacon light guides freedom-loving
people everywhere” (Reagan was big on embellishment)), has crowed of our vaunted
place in the salvation of civilization.
Hubris is a term
and concept I try to teach in my classes. It’s easier in drama classes than in
other classes, if only because so many plays, especially tragedies, revolve
around a protagonist’s extreme pride and arrogance that lead to their
inevitable downfall. It’s such a long-standing lesson of history and literature
that I’m always dumbstruck that we have still, after centuries, yet to learn
it. And we slog on in the Middle East and have military bases in 140 countries
and still wonder why the world doesn’t do what we want it to do. “Look on my
works, ye Mighty, and despair!” “Nothing that can give it even a passing
interest.”
Wednesday, May 23, 2012
Not Non-Fiction
I have a Master’s Degree from the University of Iowa Nonfiction
Writing Program, and for the past 20 years I’ve taught a course in Literary
Nonfiction (a course that I developed). A constant frustration I encounter,
whether from students, administrators, other faculty, bookstores, libraries, or
Wikipedia, is the
misspelling of nonfiction as the hyphenated “non-fiction.” In none of the
dictionaries I have is nonfiction spelled with a hyphen. And there is no reason
for doing so. Yes, there are some compound terms (not words) that require a
hyphen with the non- prefix: non-faculty,
non-student, non-thinking, non-Hodgkin’s lymphoma, non-prefix. But the
overwhelming majority of words (not negative compounds) that have a non prefix
do not have a hyphen: nonachiever, nonaddictive, nonbeliever, nondeductible,
nonessential, noninvasive, nonkosher, nonlethal, nonobjective, nonlinear,
nonprofit, nonresistant, nonresponsive, nonsense, nonsmoker, nontoxic,
nonviolent (I could go on) – and oh yes, nonfiction.
When I confront others (students, colleagues, librarians)
with this misspelling, I’m usually branded a nitpicker (not nit-picker). But as
someone who writes and teaches literary nonfiction, it’s something of a sore
point with me. The literary nonfiction genre is problematic in its naming. It
requires the adjective “literary” to distinguish it from non-literary (another
acceptable use of the non-hyphen) nonfiction – most journalism, science writing,
history, biography, et al. Some people use the term creative nonfiction, and
that’s not offensive, but it implies that other nonfiction prose is not (or
non-) creative, and as I try to teach my students, all writing – even the
thoughtful shopping list or suicide note – has creative potential. (Take William Carlos Williams’
note to his wife: “I have eaten / the plums / that were in / the icebox //
and which you / were probably / saving / for breakfast // Forgive me / they
were delicious / so sweet / and so cold”) The essential quality that defines
literary nonfiction is the use of literary techniques – plot, character, setting,
imagery, figurative and poetic language, etc. – in telling a nonfiction story,
describing an actual person or place, or reflecting on an experience or idea. As
Virginia Woolf writes in “The
Modern Essay”: “The principle that controls it is simply that it should give
us pleasure . . . The essay must lap us about and draw its curtain across the
world.” (Note her use of metaphor; her essay about the essay is a literary essay.) The
most salient characteristic of the genre is not that it’s actual, but rather that
it’s aesthetic.
The problem with the term literary nonfiction (or creative
nonfiction) is that it requires an adjective to distinguish this genre from
other nonfiction genres. Fiction, poetry, and drama don’t have this problem.
Why was “nonfiction” selected to designate this fourth genre? Why not “nonpoetry”?
“nondrama”? It’s prose, of course, and often involves narrative, character, and
setting, so it most often resembles fiction. (It’s often difficult to
distinguish between first-person realistic fiction and first-person narrative nonfiction,
if they aren’t labeled.) But tacking on the non- prefix to fiction instead of
coming up with a wholly different term, forever relegates literary nonfiction
as a negative – it’s not fiction –
and thereby sublimates it as a genre. Many have tried in vain to come up with
an alternative term, but nothing has of yet taken. At the very least we should dump
the hyphenated misspelling of the term, as it only emphasizes the genre’s sublimation.
Or maybe we could just start referring to fiction as non-nonfiction.
Sunday, May 20, 2012
Looking Buggy
I’ve never been a flyfisher who matched the hatch, that is,
identified the insects that were hatching at any one time and that the fish
were feeding on, and then tied on a fly that mimicked that insect to fool the
trout into taking it. For one thing, the waters I fish don’t seem to have all
that many hatches, at least not that I’ve encountered. And even when they do I
can’t see what the fish are rising to, and even if I could I wouldn’t know what
kind of bug I was looking at. On the one or two occasions a year I do stumble
into a hatch, I just tie on whatever’s the easiest for me to see on the water;
sometimes it works, sometimes it doesn’t. But the far majority of the time, I
fish nymphs below the surface. And the nymph pattern I use most – probably 80%-90%
of the time, any time of the year – is the muskrat nymph, the first fly I
learned to tie, and the easiest. It’s simply a #18 to #12 nymph hook, with
black thread, dubbed gray muskrat fur body (guard hairs picked out), and a
peacock herl thorax. For the past 10 years or so I’ve added a brass bead’s head
to add weight and attraction. My understanding is that the fly is used most
often in the waters of Pennsylvania. I’ve never seen it in fly bins here in the
Midwest, and a few years ago, when I needed a new muskrat pelt I finally found
one in a fly shop in St. Louis, where the owner had a large one stowed away in
the back, which he just gave to me gratis, having no use for it himself. I’ve
since used maybe 10% of the pelt on maybe 100 muskrat nymphs, and will probably
die before I can use up even half of the remaining fur. I don’t know if the fly
is supposed to imitate any particular insect, but my guess is that it is good
at simply “looking buggy,” the primary criterion identified by a cousin of mine
who first instructed me in fly tying. I imagine the wispy fur of the body in
the drift, the translucent glow of the peacock herl in the sun, the shine of
the brass bead’s head work together to look sufficiently buggy. It’s at least
worked well for me. And is always a reminder of what may well be a primal truth
– that simple is best. Or to quote Thoreau from another context, "Simplicity, simplicity, simplicity." Though buggy is good too.
Tuesday, May 15, 2012
A Mediocre Flyfisher
I’m at best a mediocre flyfisher in my home waters of the Driftless
Area of the upper Midwest. I catch some fish on most outings, no fish on an
occasional outing, and very occasionally I have an outing where I seem to do no
wrong (or blind luck more likely). I’ve been on several western waters, and
except for a couple of guided trips, have generally done little but whip the
water into a froth. I do little different now than when I first started
flyfishing some 25 years ago. I use the same few flies, three nymphs and a
couple of dry flies when (seldom) the fish are feeding on top. They seem to
work okay, and I’ve never been one able to match the hatch (identify the food
the fish are eating and use a fly that mimics it; I can neither identify what
they’re eating or usually have the fly that mimics it). But my fishing has
never been motivated by catching fish, either number or size. Of course
catching fish – and the occasional 12”+ fish – helps keep me going, not a goal
so much as an object. If I never caught a fish I wouldn’t go out again. But
most of why I fish is just to get out on the water, on the streams, in the
quiet of running water and bird song, wind in the trees and sun on the riffles,
the deer and the muskrats. The silence and the solitude. The escape and the promise.
Friday, May 11, 2012
For Sale Sign Prank of 1966
In the summer of 1966, between my junior and senior years in
high school, Gary Matassarin, Chris Christian, and I spent the night with our
friend Foster Smith at I guess what might be called a slumber party. Foster’s
mother fixed us something for dinner (I can’t remember what), we watched TV
until it went off the air (yes, children, there were only three TV channels at
the time, and they all went off the air between 11:00 p.m. and midnight), and
then played card games. Sometime in the middle of the night we decided to go
out in Foster’s car (a large Chevy or Buick as I recall), take For Sale signs
from in front of dozens of houses on the east side of Wichita, load them in the
trunk, and then replant them en masse in the front yard of Sally White’s
parents’ house. Her father spent most of the next day, a Saturday, phoning
realtors and grilling Sally about who the perpetrators might be. Of course, it
wasn’t hard for her to figure it out, and we were required to return all of the
signs to their proper homes. In the end, I think Mr. White actually seemed to
appreciate our little in-the-dark-of-the-night prank.
I recall this youthful indiscretion in light of one of Mitt
Romney’s high school (well, prep school) pranks that was reported in
yesterday’s Washington Post: About a year before my own transgression, the
young Mitt led of a group of like-minded cohorts to chase down and tackle a
classmate, who was effeminate (the term back then was faggot, not gay), had
bleached his hair blonde and grown it long over one eye, and just generally
made Mitt uncomfortable (“He can’t look like that. That’s wrong. Just look at
him!” he’s remembered saying at the time). So as the hapless, pinned classmate
cried and screamed for help, Mitt wielded a pair of scissors and proceeded to
cut his offending hair.
Of course there are two major differences between our two “pranks”
(as Mitt refers to his actions). First, mine was actually a prank – Mitt’s was
assault. And if it happened today, it would be prosecuted as a hate crime. Second,
Mitt can’t recall the event at all. Apparently he participated in any number of
such “pranks” and “hijinks” back in those days, so asking him to remember any
one of them would be too much to ask. But he does say that if he did it, and if
anyone was hurt by it, then he’s sorry. He sure is. It begs credulity that
Romney can’t recall this incident. He’s either lying, or he lacks empathy and
shame. “What a stupid, senseless, idiotic thing to do,” one of his accomplices
now says. (He remembers.) “It was a hack job. It was vicious,” another recalls.
(He also remembers.)
In a way I envy Romney. He’s able to simply wipe out all recollection
of any embarrassing past events. Meanwhile, I’ll probably go to my grave
haunted by the memory of the For Sale sign prank of ‘66.
Tuesday, May 8, 2012
Lido di Ostia
We spent our last night in Italy in Lido
di Ostia, a resort town at the end of the line about 30 miles west of Rome,
a metro ride from the Termini station and transfer to a train, maybe an hour’s trip
total. The primary reason was that our hotel, the Belvedere
Century, was near the airport (15 minute shuttle), so we wouldn’t have to
wake early our last morning and hassle with luggage from the hotel to train
station to airport. But Lido
di Ostia is also a popular beach resort, apparently crowded during the
summer months, and we thought there might be interesting restaurants and things
to do there. But those assumptions did not turn out to be realized. For one
thing it is a summer resort and we
were there in April. It was essentially deserted. The beach was empty, the
umbrellas and changing rooms shoved up in storage against the main road. A
number of the hotels and restaurants looked to be closed for the season. Only a
few locals, teenagers looking for something to do and older people looking for
someone to talk with, ventured out on the outdoor mall across from our hotel.
When we checked in, the desk clerk seemed bothered by our interruption of his
surfing the net. As far as we could tell there were maybe five other rooms occupied
for the night. We walked out on a pier from the beach, a few others huddled in
coats in the wind and overcast, slate-gray sky. The whole feel was Coney Island
in February. We wandered about and finally found a restaurant that turned out
to be not that bad (though we were the only customers, perhaps of the whole
night; the young waiter was more interested in the soccer game on the TV than
on how we were doing). And ironically the hour we were to save by being close
to the airport turned out not to exist. The shuttle left at 8:00 and 10:00, and
we wanted to leave at 9:00 for an 11:30 plane. So we ended up having to take
the 8:00, about the same time we would have had to leave a hotel in Rome had we
stayed there, with the choice of restaurants, ruins, and streets to roam the
night before. Instead of the hour from the Rome Termini to the airport, we
spent the hour biding our time in the airport. One lives, one learns. . . . Well,
one lives.
Friday, May 4, 2012
Walking the Path From Ravello
We’d taken the bus in the morning up from Amalfi
to Ravello,
perched on a cliff 1000 feet above the Mediterranean, but decided to take the
stairway-path back in the afternoon, not to be reminded of how old we are but
rather to take advantage of the temporary good weather and enjoy the vistas
promised on the climb down. But of course, despite the spectacular vistas,
terraced gardens and orchards, stuccoed houses balanced on the rock cliffs, and centuries-old walls and staircases, we
couldn’t help but be regularly reminded that we probably were too old to be
doing this shit. Our Rick
Steves’ Naples & the Amalfi Coast guidebook said that it would take 40
minutes from Ravello to Atrani (and
then 15 minutes more to Amalfi). The young woman at the Tourist Information
office in Ravello, where we got a map, pointed our way and said that it would
take 30 minutes. It took us 90 minutes to get to Atrani. Of course, we did
pause numerous times to take in and take pictures of the views, and we stopped
a couple of times on well-placed benches. But mostly we were just slow. A
couple of younger couples passed us on their way down, no doubt making the
30-40 minute time. And we met another young couple near Atrani just starting
their way up. I joked, “You’re going the wrong way,” but they said they’d
walked down that morning and were on their way back up to their hotel. Try that again in 40 years, I considered
warning them. But while it took us longer than we’d thought, we weren’t in any
hurry, there wasn’t any pain involved, there were no falls, and the views were impressive. And we
rewarded ourselves with gelato in Atrani’s quiet, cool piazza.
With age comes time to dawdle.
Wednesday, May 2, 2012
Eating the Amalfi Coast
It’s hard to eat poorly on the Amalfi Coast. Most of the
osterias, trattarias, pizzarias, and ristorantes cater to tourists, but that
doesn’t turn out to necessarily be a bad thing (as it can be elsewhere) as
there are mostly tourists on the Amalfi Coast. Here’s our dining experience on
our recent trip:
Amalfi
Pizzeria
Donna Stella. On our first night in town we happened upon this wonderful
place after discovering that Trattoria
San Guiseppe’s, where I had eaten the first time in Amalfi (more in a
moment), was closed for the day. We walked off the main street where most of
the more touristy places are and wandered the maze of stair-streets before
seeing a sign for Stella’s and decided to try it. There were only five other
tables with diners in the small room – three with locals, one with a tourist
couple (women from northern Europe?), and one with the young owners – a good
sign. We shared a prosciutto and mushroom pizza and green salad, a carafe of
house red wine, and a cream and blueberry dessert. It was all excellent.
Trattoria
San Guiseppe’s. For lunch the next day we returned to this restaurant, one
of my favorite from my trip several years ago. We shared a la Genovese pizza –
tomato, mozzarella, tuna, and olives – just as good as I recalled, with a
wonderfully caramelized thin crust. There were only two other tables, one with
a large group of locals, the other a tourist family.
Ristorante
Pizzaria Il Mulino. We had passed this restaurant on the upper end of the
main street while visiting the Paper Museum, and
while there was only one other table with one couple (tourists; and another
tourist couple arrived after us), we decided it looked worth trying (by then we’d
realized that most of the restaurants catered to tourists). And it was. We
shared a mista de mare antipasta, Jac had a fresh spaghetti with vegetable
sauce and cheese dish, and I had gnocchi with a tomato and cheese sauce. All
accompanied by a Ravello wine (A.
Sammarco rosso). Once again, all very good.
Ristorante
Vittoria. The next morning we took the bus up to Ravello, did the
spectacular Villa Cimbrone and Villa Rufolo and the Duomo di Ravello, and
then searched the map we’d gotten at the Tourist Information office for a
restaurant, and settled on the Ristorante
Vittoria, near the piazza duomo, where we were. It was a bit unsettling to
see the only tables in the place were two groups of loud Germans. But they left
soon after we arrived. As we sat there, though, we were encouraged to see a
number of apparently nearby shop owners or workers coming in to get take-out
boxes. Jac had a pasta (fresh noodles) with clam sauce that was excellent, and
I had catch-of-the-day fried seafood, a mix of shrimp, calamari, and three
small whole fish, and a mixed salad, all very good. And we lingered over a
carafe of the house white wine. A good meal, and good to sit for an hour after
several hours of a lot of walking and another couple of hours of more walking
as we hiked down the path from Ravello to Amalfi.
Il
Tari. We’d passed this restaurant the past two nights and seen that it was
nearly full, so we decided to try it on our last night in Amalfi, a Saturday
night, and it was crowded with both tourists and locals. And again it turned
out to very good: Jac had chicken picata, and I had a fixed price menu of
antipasta (ham, mozzarella, tomato, and olives), chicken picata and salad, and
pound cake with a lemon-cream sauce. And a shared carafe of house white. A nice
last meal in Amalfi.
Positano
La
Zagara. After a crowded bus ride from Amalfi to Positano, a long, confusing
walk down a lot of steps to our hotel, checking in, walking down to Fornillo Beach,
over to the main part of the town, wandering the step-streets, we decide to
duck into this café for lunch. It’s the dining mistake of the trip. We only
learn later that it’s mainly a pastry place (and I guess a good one), but we
head out onto the patio and order a pizzeta (Jac) and calzone (me). Neither is
very good (and Jac gets something she didn’t order). But it’s an hour rest
before more walking.
Hotel
Pupetto. Our hotel, the Hotel Vittoria, shares
this restaurant, located on Fornillo Beach,
and since we got a 15% discount, we decided to make this our first dinner in
Positano. And the restaurant is right on the beach, a hundred or so feet from
the water. The waves were our background music (although the kids running
around added their layer). As the sun set, a bat flew over our table, gorging
on insects. A cat begged for food. Jac had spaghetti carbanara, and I had a
fixed price meal of risotto and veal scaloppini, and we shared a carafe of
house wine. It wasn’t the best meal of the trip, but it was good – and the
total cost was only €40 (€10 for Jac, €20 for me, and €10 for wine).
Ristorante
Saraceno d’Ora. After wandering around Positano most of the morning and
into the afternoon, we decided to walk back up toward our hotel where we saw a
number of restaurants earlier on the road above the hotel. Walking on the
street, a waiter at this restaurant (as is common throughout the town) begs us
in, and while looking at the menu we hear a couple of tables of locals inside
and decide to try it. It turns out to be one of the best meals of the trip. We
ordered a four cheese (quarto formaggio) pizza, water and beer,
and all – pizza, drink, and service – was excellent. We only learn later it’s the
#5 of 52 restaurants in Positano on TripAdvisor. We were offered complimentary
limoncellos as digestives.
Ristorante
Mediterraneo. We could see this restaurant on the road above our hotel from
the balcony and hear the music playing from across the way. I read about it
prior to our trip (rated #7 on TripAdvisor), and we’d stopped by to look at the
menu in the afternoon before having lunch at nearby Saraceno
d’Ora. This was a great last meal on the Amalfi Coast. We started with two
antipastas, a plate of prosciutto, salami, sardines, olives, stuffed zucchini
flowers, and a separate plate of zucchini flowers; Jac had fried calamari; I
had a rigatoni Bolognese; and we split a carafe of house red wine. More than we
could eat, but maybe the best meal of the trip. An Aussie couple sat behind us
after we’d been served, asked us about our dishes, and ended up ordering what
we’d ordered.
Lido
La Sireinta (can’t find an internet link). We spent our
final night in Lido, out in East Rome on the beach, a resort which is basically
deserted in April, cold, windy, and gray. But we did so so we could just hop a
shuttle to the airport in the morning, and in that it turned out
OK. We walked around the area in the evening looking for someplace to eat, but
there weren’t too many places that looked good (or open). But La Sirenita held
some promise (it had carbanara on the menu, which is what I wanted on my last
night). We were the only ones in the small, contemporary room. One young waiter
balanced his time between us and a soccer game that was playing loudly on a TV.
Jac ordered a fettuccini funghi porcini, I ordered insalada de mare and pasta
carbanara, and we shared a carafe of house white. And all was very good. We
paid in cash, and the owner apologized to us as the waiter had to run off
somewhere to get change as we apparently were the only customers of the evening
and they didn’t have any.
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