I
met a traveller from an antique land
Who said: `Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear --
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.'
Who said: `Two vast and trunkless legs of stone
Stand in the desert. Near them, on the sand,
Half sunk, a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them and the heart that fed.
And on the pedestal these words appear --
"My name is Ozymandias, king of kings:
Look on my works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal wreck, boundless and bare
The lone and level sands stretch far away.'
“Ozymandias,” Percy Bysshe Shelley
After browsing among the stately
ruins of Rome, of BaiƦ, of Pompeii, and after glancing down the long marble
ranks of battered and nameless imperial heads that stretch down the corridors
of the Vatican, one thing strikes me with a force it never had before: the
unsubstantial, unlasting character of fame. Men lived long lives, in the olden
time, and struggled feverishly through them, toiling like slaves, in oratory,
in generalship, or in literature, and then laid them down and died, happy in
the possession of an enduring history and a deathless name. Well, twenty little
centuries flutter away, and what is left of these things? A crazy inscription
on a block of stone, which snuffy antiquaries bother over and tangle up and
make nothing out of but a bare name (which they spell wrong) -- no history, no
tradition, no poetry -- nothing that can give it even a passing interest.
“The
Buried City of Pompeii,” Mark Twain
Once again we’re in a presidential election, and once again
we’re hearing chest-thumping boasts of “American
Exceptionalism,” the idea that we Americans are somehow the savior of
western civilization, if not the human species. Jefferson spouted it: “we
should have such an empire for liberty
as she has never surveyed since the creation: & I am persuaded no
constitution was ever before so well calculated as ours for extensive empire
& self government.” Lincoln professed it: “We
shall nobly save, or meanly lose, the last best hope of earth. Other means may
succeed; this could not fail. The way is plain, peaceful, generous, just -- a
way which, if followed, the world will forever applaud, and God must forever
bless.” And everyone from the Puritan John Winthrop (“a city upon a hill”), to
President-elect John F. Kennedy (“a city upon a hill”) to the failed Democratic
presidential candidate Walter Mondale (“the city on a hill”) to Ronald Reagan (“a shining city upon a hill whose beacon light guides freedom-loving
people everywhere” (Reagan was big on embellishment)), has crowed of our vaunted
place in the salvation of civilization.
Hubris is a term
and concept I try to teach in my classes. It’s easier in drama classes than in
other classes, if only because so many plays, especially tragedies, revolve
around a protagonist’s extreme pride and arrogance that lead to their
inevitable downfall. It’s such a long-standing lesson of history and literature
that I’m always dumbstruck that we have still, after centuries, yet to learn
it. And we slog on in the Middle East and have military bases in 140 countries
and still wonder why the world doesn’t do what we want it to do. “Look on my
works, ye Mighty, and despair!” “Nothing that can give it even a passing
interest.”
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